November 9, 2018  

Finished piece, framed.  Meg’s Tree, image size 10 x 33, watercolor on gold shikishi board   

 As one of 19 artists invited by the Jackson Hole Land Trust to interpret one of their conservation properties in Wyoming I have already been blogging about my periodic hikes on the property I was assigned, which is adjacent to and just north of the National Museum of Wildlife Art in Jackson. As the finish line gets closer now I am tucked away in my studio for some serious painting.  The title of this Land Trust project is “WyoView: Four Seasons” and I am taking that title to heart.  All of my four seasonal paintings will be of the view FROM this property. The views I am painting are of Flat Creek in the Elk Refuge, the Sleeping Indian to the northeast, a peak at the Tetons to the west, and Snow King and town to the south.  Each painting will include a glimpse of the actual conservation property with something special visible – brilliantly colored lichen rocks, a herd of mule deer with blooming branches visible, a copse of bright yellow aspens and a serene snow field. You will have to spend some time viewing each piece to find some of these “glimpses”.

Pictured here is a 10″ x 33″ watercolor triptych titled Meg’s Tree: portraying Flat Creek and Meg Raynes’ tree in the center panel. Beloved local naturalists and conservationists Meg and Bert Raynes were instrumental in saving this tree from death by elk browsing, and everyone in the valley recognizes this tree as they pass by.  

I have included photos of my step-by-step process as I created the piece. Several reference photos of the landscape (I know, a panoramic would have worked but I took these photos on several different occasions and used my artistic license to stitch them together.)

Painting all three panels both at once and then each panel receives individual attention:

September 15, 2018  The weather was uncharacteristically fabulous, and I was pleased with my painting as well. (I thought it got away from me a few times but I “reeled” it back in.)  And it got a good price at the auction following the event as well. A good day.

The title is Song of the Sandhills, and is a depiction of sandhill cranes migrating. If you have never experienced a sandhill crane migration, you should put it on your bucket list.

VERY excited to share: After 11 days off-grid I read an email sent 10 days previously, from the Wyoming Watercolor Society that tells me my painting – The River Runs Through It – won the Best Wyoming Artist award in this years 33rd national exhibit!!! So honored and happy. It was inspired by the view from the top of East Gros Ventre Butte, having cocktails and dinner at the Granary Lounge, as a storm blew over the Tetons.

The River Runs Through It  16 x 24  watercolor on silver shikishi

July 18, 2018  Once again I am honored to have been invited by the Jackson Hole Land Trust to paint one of their protected properties in western Wyoming for their project called WyoView: Four Seasons, which includes 21 artists and 18 properties. My assigned property is in Jackson Hole overlooking the Elk Refuge to the east and the Tetons, at the crest of the butte, looking west. I am very confident I will have lots of reference for paintings throughout the seasons, see above! An exhibit will be held in December, so I will keep in touch with more posts and specific dates. (On my first exploratory hike up the butte I encountered 39 ticks, and on the second only 18. Easily picked off my pant legs. In 11 years of living and hiking here I had never seen a tick until this experience. What we artists will do in pursuit of our profession.)

November 11, 2017  Each year I am invited to participate in the annual Jackson Hole Fall Arts Festival Quick Draw, this year held on September 17. As if there isn’t enough pressure in creating a finished framed piece from start to finish in 90 minutes – try doing it in 31 degrees, spitting snow and rain weather.  The participating artists do get to stand under small canopies, but with wind blowing the elements into the tent, it was rather a challenge this year.  I dressed for the weather as much as I could, including gloves with the finger tips cut out.  I had to position my table to shield it from the blowing rain as much as possible.  If a raindrop fell on the in-progress painting while it was still wet, that wasn’t a disaster, as it would likely blend into the wet paint.  But as the last final minutes were counted down a few raindrops fell on my already dry sky.  I decided it made the painting even more authentic, which I titled “Storm Clouds over Mount Moran”. In my introduction to the auction crowd  I described the “authentic raindrops” (they liked it!)  I thank Sandi and Bruce for embracing this explanation and making their purchase during the auction.  I hope the conditions are never as bad as this, in future years at the Quick Draw.  (PS.There were still hundreds of people watching the artists, and bidding on the finished artwork, in spite of the weather.  Love the support for the arts here!)

Star Date 8.21.2017    ECLIPSE.  It is hard to write anything else because the word says it all. Just “Wow”. And “Do it again!” I had the good fortune to see the eclipse at the wonderful Darwin Ranch, in the Gros Ventre mountains and wilderness east of Jackson, in the path of totality. I didn’t take photos (my skills and equipment are inadequate.) But I painted tiny eclipse paintings for all of the guests and crew there. I just started painting and got on a roll, after figuring out a “secret” technique.   In several larger paintings in the gallery I took extreme artistic license (I have one) by putting the eclipsed sun over the Tetons to the west. I wanted to combine the experience of seeing the darkened Tetons WITH the total eclipse. Artistic license is a wonderful thing! Kinda like Photoshop, but messier.

July 14, 2017   I have been asked (by the inner me) to produce my “Artistic License”.  It proves that I am an artist that is “entitled to stretch the truth, bend the rules and push the boundaries while performing acts of creativity.  Use with reckless abandon.”  The unwritten assumption is that I also am allowed to change my mind – after sketching and painting hummingbirds, western tanagers and other wetland birds to consider for inclusion in my collection for the Jackson Hole Land Trust’s View 22: Field Studies project (see my previous post entitled  ) I completely switched gears today and painted this little study I will call “Hidden Treasure”.  It may become a larger painting as well.  I just love this little gem of a secluded wetland in Wilson, WY, particularly because this quiet little stream runs through it.  The light glinting on the surface is what attracted me to it as a painting subject.  This piece is painted on a silver board.  I will try it on a gold board as well.  Stay tuned….

June 30, 2017  I have been honored to join a group of artists asked by the Jackson Hole Land Trust to focus on various properties protected by the Land Trust.  The project will culminate in an exhibition and sale at the annual Jackson Hole Land Trust fundraising picnic on August 13th.  This is a first in a series I will post on my progress.  My assigned space is called the Wilson Wetlands, a small intimate wetland located right in the middle of Wilson WY.  I never noticed it before when I drove by.  But by spending some time there I understand it’s importance – besides being a very lovely respite to wander through for humans, it hosts a number of critters and plants that rely on wetlands for survival.  Wetlands are so often drained, altered, covered over to create more land for us humans.  Without these wetlands these critters, plants and birds would not be a part of our lives.  Though I often paint vast expansive landscapes, my theme for this collection will be something much more close up –  wetland birds.  I made a recording of bird sounds on one visit so I could not only identify who made the sounds, but have something wonderful to listen to while painting.  Come back to my blog periodically until August to see my progress, along with my images.