November 9, 2018
Finished piece, framed. Meg’s Tree, image size 10 x 33, watercolor on gold shikishi board
As one of 19 artists invited by the Jackson Hole Land Trust to interpret one of their conservation properties in Wyoming I have already been blogging about my periodic hikes on the property I was assigned, which is adjacent to and just north of the National Museum of Wildlife Art in Jackson. As the finish line gets closer now I am tucked away in my studio for some serious painting. The title of this Land Trust project is “WyoView: Four Seasons” and I am taking that title to heart. All of my four seasonal paintings will be of the view FROM this property. The views I am painting are of Flat Creek in the Elk Refuge, the Sleeping Indian to the northeast, a peak at the Tetons to the west, and Snow King and town to the south. Each painting will include a glimpse of the actual conservation property with something special visible – brilliantly colored lichen rocks, a herd of mule deer with blooming branches visible, a copse of bright yellow aspens and a serene snow field. You will have to spend some time viewing each piece to find some of these “glimpses”.
Pictured here is a 10″ x 33″ watercolor triptych titled Meg’s Tree: portraying Flat Creek and Meg Raynes’ tree in the center panel. Beloved local naturalists and conservationists Meg and Bert Raynes were instrumental in saving this tree from death by elk browsing, and everyone in the valley recognizes this tree as they pass by.
I have included photos of my step-by-step process as I created the piece. Several reference photos of the landscape (I know, a panoramic would have worked but I took these photos on several different occasions and used my artistic license to stitch them together.)
Painting all three panels both at once and then each panel receives individual attention: