Controlled spontaneity. This dynamic dichotomy originally drew Kay Stratman to Asian brush painting, an ancient art she has since translated into a style all her own, a mix of traditional technique and contemporary aesthetic. She describes her current work as “Asian influenced.”
After graduating from college with a BA in Art, Kay spent 14 years at a commercial art studio in Minneapolis, MN but continued to search for her own artistic medium. In 1983, she met a “sumi-e” (Asian ink painting) artist and instantly knew she had found her visual voice. Asian paintings are simple in composition, yet full of harmony, balance and peace, all elements Kay seeks in her own life as well as in her artwork. Her paintings have since evolved and incorporated those ideas into a much more dynamic and personal artistic thumbprint.
Her focus now is P’o Mo, (translated as “splash ink”), though an ancient Chinese technique, the results look contemporary. Materials used are bamboo-handled brushes, ink, watercolor and absorbent rice paper or gold covered board. Thickened watercolor is poured onto the surface and allowed to bleed, blend, then dry. Kay continues the painting by defining areas with brushwork to reveal a more recognizable image. The spontaneous look of P’o Mo disguises the skill required to master the difficult medium and its special tools.
Now, she applies a wide range of techniques honed by years of practice and experimentation to the subjects she loves in life: mountainscapes that surround her Wyoming home; cranes sailing across a sunset; a frog bathing in a marbleized pool; empty but beautiful spaces.
Kay’s paintings feel simultaneously fresh yet timeless.